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letters and sodas…. June 27, 2008

So Tuesday, I remembered to go to my local Best Buy and pick up a copy of the reissue of Liz’s Guyville.  Even though I still have my original copy and it’s not warped from the zillions of times I played it over the years.  What I found most inspiring was not only the record itself, but the dvd portion in which Liz interviewed the guys who helped her make Guyville possible.

The dvd made me realize how truly genuine and earnest Liz really is… to this day.  I really enjoyed watching Brad Wood comment about the record as they both listened back to it.  They made such a great musical team.  I think what really drew me to Guyville from the beginning was not only the sharp lyrical flow and quirky, amazing chord progressions… but Liz, herself.  I think the record is much more autobiographical than she was initially willing to let on.  The dvd really clarified how unhappy and yearnfully sad she was during the making of it.  That sadness I truly could identify with.  Still do, in fact.  Despite the deep sense of sad,  there was a strong sense of rebellious self-empowerment and raw rock n’ roll throughout the entire work.  I’m happy to find that many other people admit to it and could hear it as well.

I could see the disappointment in Liz’s face when she recounts meeting Mick at a studio in L.A.  He basically forgave her for having made Guyville…. as if it was a mistake and she was using it as a vehicle for the press.   It’s a shame that he could not see what a huge compliment Guyville truly was.  The double l.p. that the Stones released back in ’72 struck such a deep chord in Liz and really got her creative juices flowing with her own work.  For me, Guyville did the exact same thing.  It’s the very reason I even felt the desire to start playing guitar and writing songs.  Maybe one day Liz will hear Circuitville.  Maybe I will run into her at a studio and she will forgive me for having made it.  I have a feeling that might not be the case.  Art always influences art. I don’t think there is a stronger nor higher compliment than that in this life.

My only hope is that others find a similar kind of inspiration in Circuitville.  I did initially think I had to do a song by song response to Guyville, but I realized over time that it’s not necessary to reinvent the wheel so hard.  Aside from making subtle references to the Stones and Guyville, I had my own sense of alienation within my community to contend with and write about.  Liz took a sharp angle with gender and really got into the idea of having her songs have a conversation with Mick’s lyrics.   All three records paint vivid pictures in audio form of a human trying to deal with his or her environments and the people that closely surround and affect them.  The vulnerability and brazen character that Liz exuded was inspired by Mick.  During the making of Circuitville, they both inspired me.

 

thoughts. music to share. April 21, 2008

I don’t plan to post too many personal entries on here because I’m not here trying to sell my life like a soap opera or some shit. But I would like to start having active communications and friendships beginning with fans. If you connect with me through my music, chances are we connect in relation to many other things as well.

If you read this entry and can relate to any of it or second anything I recommend or talk about, please don’t hesitate to speak out. I want to hear from you.

To start, I’m trying to stay ‘gung-ho’ on the promotion and marketing of “Exile In Circuitville.” Yeah, maybe I was trying to come at my listening audience with a serious hook (the ‘exile’ concept and how it interrelates across the “Exile” classics by Liz and the Stones. But it’s not a subject that has been further explored and it still intrigues me to the very present moment I’m sitting here typing this.)

I really did go balls out with this record, despite not matching the other two Exiles 18 song-by-song long players. I took into account the length and intensity of most of my songs and realized that 18 songs from start to finish could be slightly daunting. So I have 14 songs instead of 18. But I still have my “Sodomite Angels” reaching out to the Stones’ “Sweet Black Angel.” I have my “alpha” stepping up to Liz’s “Soap Star Joe.” I’m very proud of this record in much the same way Liz felt with Guyville. I guess in a way I have always wanted to create my own “guyville.” I think I did.

Ok, those are my thoughts on the record for now. Maybe as time progresses, I will wish I did ‘this’ or ‘that’ differently on the recordings. But at the present time, using the resources and devices I had fully at my disposal…. I’m content with them.

Many other things to share. In the effort to expand the Prude presence over the web, I created a Pirate Prude profile on Reverb Nation! Check it out. www.reverbnation.com/pirateprude

Within the next few months I will work on making a video for the song “420.” If you are a fan of the song and have any video recording skills, please feel free to make a video for it and send it to me. I will plaster it on youtube and the web. I just really don’t have a concept that is grabbing me for the video. I don’t want to be boring and have a bunch of lame footage of me playing my guitar and lip syncing.

Ok. On to music sharing.

Albums you should be listening to :

Laura Veirs – Saltbreakers – Her most recent record that sounds audibly magical. Get it.

Katell Keineg – High July – It came out back in 2004 but that’s irrelevant to how amazing a songwriter/storyteller this woman truly is.

Emily Haines & the Soft Skeleton – sooo good…. just don’t listen if you are suicidal.

Veda Hille – Riot Life- you can hear her single “lucklucky” on www.mog.com It’s seriously killer. She’s always been kind of like the female Sufjan. Her myspace is pretty swanky looking (as far as myspace profiles go…. www.myspace.com/vedahille)

Also on www.mog.com when you search for aimee mann, there is a post with one of the upcoming tracks on her album that is coming out in June. The song is called “Thirty-one today.” Typical Aimee…. which is just always amazing. I’ve listened to it obsessively.

Oh, and if you live in the Tampa Bay area in Florida…. come out to this!

Exile In Circuitville Album Release Party

 

Overall vent and frustration October 10, 2007

Everything was fairly on course for the record.  I knew who was going to help me record drums and mix and master the tracks, and the original drummer of the band agreed to step in on percussion.  Both dudes fell through this past week. 

I did not trust my gut instincts with the drummer.  I won’t name names, but let’s suffice it to say that the typical drummer ego holds true 9 times out of 10.  They know they are needed, and they have no problem acting like their time is more valuable than anyone elses.  He was always more trouble than he was worth and I just kept my eye on the big picture, hoping that he would actually come through for once.  Instincts never lie. 

As for the engineer/producer, I really had no facts to base my opinion on his level of work and professionalism.  Considering that I am on a tight budget for the project overall, I put too much initial trust in him to see that we would have secured studio time for a whole weekend and that we would have usage of his mac g-5 to track everything over to Pro-Tools.  Again, didn’t go with my gut.  He let me down the first time, and when we rescheduled for another weekend to record drums, I received an e-mail response that his computer needs a new motherboard (in essence, no computer to use).

If I have any lucky stars whatsoever, I owe them to Craig’s list.  I found another engineer who just moved to Tampa from Chicago and is looking for projects and work.  We got together last week to listen to a few tracks and transfer the project over to his mac.  I have a feeling that I came across a likeminded guy who not only has way more experience in producing, but has been a musician for 20 years himself.  I will have to bounce all of the tracks individually to disc from garageband but I’m in no hurry (since once again, I need to find a fucking drummer). 

I did, however, come across a Craig’s list ad for a studio drummer.  I handed him a copy of the record (or what the record comprises thus far) on Sunday, and am just waiting to hear back and see if he will be the right fit.  Keep your fingers crossed because I don’t think my own crossed fingers will do the trick at this point.  I’ve had them crossed for well over half a year now and anything that does not directly involve me doing something (aside from my cellist adding to the mix here and there) does not get accomplished. 

In any case, if you know of someone who is a drummer ( and by drummer I mean someone who has chops and intuition when hitting a kit) and this project seems like it could be up his or her alley, get in touch!  Distance is not an issue because I’m willing to e-mail large files back and forth if I can find someone who seems to truly grasp the songs musically.  Ideally, I would like to oversee the recording of drum files, but I’m keeping all available options open. 

I was majorly bummed and depressed these past few days, but I strongly believe what doesn’t kill us makes us stronger.  Things always work out for the best, and I believe that will be the case for this project….eventually.  The frustration lies in the fact that I don’t know when exactly it will all come together.  But with how much work and time I’ve already invested, I’m not giving up now. 

 

Post of song to appear on “Exile In Circuitville” September 23, 2007

 

Beyond Main St and Guyville; Pirate Prude add their musical take on ‘Exile’ September 19, 2007

Pirate Prude (originally the debut ep title by the band, Helium) is the moniker for 26-year-old Tampa Bay singer/songwriter, Mark Freifeld.  After numerous line-ups, and the lack of a dependable and consistent drummer, Mark decided to get to work on a debut record.  With a plethora of songs under his belt since the late 90s, the daunting task of picking and choosing a track listing and order was at hand.  Then the ‘Exile’ concept came to be a reality.

In the history of rock n’ roll, there are two classic records that continue to stand strong among critics and fans alike.  “Exile on Main St” by the Rolling Stones and “Exile In Guyville” by Liz Phair.  Much like Liz back in ’92-93, Mark became feverishly swept up in utilizing ‘Exile’ as a  conceptual framework for a debut album.  Liz solely had Main St to go to to tailor her song structures alongside that of Mick Jagger’s rugged, beatific  street urchin character.  Both records smack of a sense of alienation and rebellion from a community, and Pirate Prude’s “Exile In Circuitville” is no different. 
 

‘Circuitville’ is Mark’s name for Tampa, Florida.  Just as Liz described ‘Guyville’ (Wicker Park community of Chicago) as being overwrought with indie flannel wearing rocker dudes, ‘Circuitville’ is infested with dime-a-dozen homos who all wear Hollister clothes and listen to the same bland, monotonous club music.  Mark has structured his 18 song journey into ‘Exile’ by honing in on the emotions, themes, and stories detailed in the two Exile records which came before. 
The intended release date for ‘Circuitville’ is January, 2008.  Sampler cds will surface in reviewers’ hands by Nov-Dec. 2007.  For additional information and inquiries, send e-mail to mark.freifeld@gmail.com 

 

 
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